It happens to every mangakas, so even Miura with time passing by had an evolution of his drawing-style, however like it happens to every "great" mangakas, there's a point where readers want this evolution to freeze, to not evolve anymore, but it hardly ever happens, given that these great mangakas, even knowing that they might relax on their successful style achieved, still want to make progress, and the outstanding Miura didn't escape from this rule. Giving an example, Caska, a random character...^^, we'll now examine the author's style evolution in details, dwelling with more attention upon 2 types of styles, that's pre-eclipse and post-eclipse.

From Volume 1 to first half of volume 5
This is the style of Miura in the early volumes of berserk, it's still an immature style that refers straight to the style used in Berserk previous work, Oh-Rohden. For Heaven's sake, the anatomy of characters is impeccable like always, but is really from aesthetic point of view that above-mentioned style leaves a good deal to be desired.....

From end of volume 5 to volume 6
This attempt of stylistic evolution must be seen as the first one in Berserk from Miura. Characters appears with lengthened necks and more prominent noses, however is a style that will not last long, no more than one Japanese volume.

From Volume 6 to Volume 14
Finally here it is, stylistic evolution of disagreement, the one which, for someone's opinion, it might has remained the definitive evolution of Miura's style. Characters are marvellous, Miura draws with a soft and clean stroke which is amazing to look, this style will last until the eclipse included.

From Volume 15 to Volume 21
New evolution of Miura's style. Stroke now is more hard, as if it wanted to underline the developing of the events of the black swordsman, and with it we also had some little anatomic innovations, like longer noses of characters. Let this be quite clear, i think this is the best style ever reached by Miura, a style capable of merging, when in need, softer-stroke drawings and more stylized ones. However i cannot even criticise who says to prefer previous style of Miura.

From Volume 22 to Volume 29
This is the present style of the Master. Miura, exactly from this volume, offers another extraordinary evolution of his graphic style. Stroke became once again softer, like pre-eclipse chapters, but considerably improved (before wasn't bad, let this be clear); every particular of vignette is unthinkably detailed; well, even if perfection doesn't exist, we must say that here we're really close.