Creative Commons

Freedom from Work and Social Evolution – ZDAY Los Angeles 2013

A keynote I gave at ZDAY Los Angeles 2013 about the impact of ideas in society (http://www.youtube.com/watch?v=oIc-c8iv-iY).

Link to the final video (stand alone, Ideas are Social Evolution): http://www.youtube.com/watch?v=0S7c9oQV3LU

Read Online For Free "Robots Will Steal Your Job, But That's OK"!

When I embarked upon this project, back in October 2011, I eagerly set out on a journey to writing a book that would positively impact society. Even then I knew that to attain what I intended to achieve the readers of my book had to be able freely to access and share it.

Read Online For Free "Robots Will Steal Your Job, But That's OK"!

I strongly believe that all information should be free so I have decided to release my book under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0.

In my opinion, we are on the verge of a dramatic shift in society, one that will dwarf events even of the magnitude of the Industrial Revolution. As always, however, with the rising over the horizon of great possibilities come risks of equal scale. This book is my contribution to the global conversation on how we might go about building a better tomorrow.

Every week—starting from today—I shall be releasing on this website a chapter for free. When all chapters will have been published, I shall post a free PDF copy of the whole book. That is my gift to you.

Writing books is not easy. It takes time, dedication, concentration and resources. This book is the result of over one year of relentless full-time work on my part. My ability to continue to do research and work on more projects like this relies on you. You can show your support by purchasing a copy on Amazon (Kindle/Paperback), Lulu (ePub/Hardcover), or the Apple iBookstore. All files are rigorously DRM free.

Enjoy this book, share it, and start the conversation!

http://robotswillstealyourjob.com/read

The importance of being Creative Commons

A few years ago, I made a drawing called King of Midlands: Disturbed. I published it on deviantArt with this description, under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License.

Creation: I was in my second year in college when I made this drawing. It took me approximately two nights, just before going to sleep. I used a pencil. That's it.

Time: ~2 nights.

Commentary: The drawing depicts the King of Midlands, he is disturbed (hence, the title) by the fact that Grifis violated his daughter, the princess. Since the King personality is quite disturbed himself (he was the one who wanted to violate his daughter) I thought the title was quite appropriate.

Inspiration: this work was inspired by Kentarô Miura (三浦 建太郎 )'s work Berserk.

Little did I know that what was an unfinished work from high school would become material for the Developing Rigorous Education in the Arts to Motivate Students (DREAMS): Improving Academic Literacy in the Arts in California. In the 2010 final report published by the Institute my drawing appears along with two questions.

1. Describe how Pistono used the elements or principles of visual art design (such as unity or contrast) to organize the composition of this drawing.

2. If you were an art critic, what are the features or criteria you might consider when judging the aesthetic value of a work of art? In terms of these criteria, what makes Pistono’s drawing effective?

To be honest, I don't consider this drawing to be any good, I was still in my early years, I never had any teaching nor any academic background, nor did I ever receive any instructions or suggestions on how to draw. I just drew. I liked it, and did it very spontaneously. I think you can tell by the inaccuracy of the pencil, the lack of perspective and the overall flatness of the image.

Still, it's fascinating that my work was taken, used by a school literally on the other side of the planet. I'm kind of curious to read the students' answers at this point, though I don't hope read any positive comments.

Either way, it was possible because I published it on the Internet, and I did it using a Creative Commons licence.

Some things are truly priceless.

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Reznor's model works - NIN’s CC-Licensed Best-Selling MP3 Album

nin_ghosts_logo_jan09.pngIn March 2008, Trent Reznor's Nine Inch Nails released the first part of Ghosts I-IV via BitTorrent, and released all four albums under the Creative Commons Attribution-Noncommercial-Share Alike license. Even though fans could easily get free versions of the album, Ghosts actually went on to become the best-selling album of 2008 on Amazon's MP3 store.

NIN’s Creative Commons licensed Ghosts I-IV has been making lots of headlines these days.

Money and CC music coexist

As Fred Benenson eloquently put on the Creative Commons' blog:

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NIN Ghosts I-IV - Trent Reznor goes Creative Commons

Nine Inch Nails - Ghosts I-IV

A while ago I covered the story of Radiohead, who wanted to free themselves from the evil clutches of record labels and the abominable empire of the music industry by releasing their album In Rainbows for free, leaving the choice to the people: pay as much as you want. The result of that experiments was apparently quite satisfactory, although
some people paid, many others did not.

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